1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for.

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D triad over e triad can be written and played in any inversion, for example: I fully describe Mr.

Jerry Bergonzi Vol 7 –

Is Berklee College of music out of your price range? Jerry Bergonzi – Vol 2 – Pentatonics Documents. The triads offer a skeleton structure to base lines on. The hexatonic to play is ebrgonzi above the bar with the chord symbol below.

Hexatonics – melody instruments

Have each hexatonic be I bar, 2 bars or 4 bars each. Again, there are 72 different melodies written out. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures “.

We improvise in” the sound of the voicing and using hexatonic voicings and lines can lend avery contemporary sound. Viola vol 1 Jerry Bergonzi Vol I had looked through some of his previous books but this one looked the interesting to me. Try integrating this approach with other melodic material. When the e triad is voiced on top it creates minor ninth intervals which are dissonant. Yes, here they are. As with the other books in this series, there is a play along CD to tryout all of these diflerent sounds.


Jazz Saxophone solo transcriptions. Is there some sort of system or are they just presented randomly?

Jerry Bergonzi Vol 7 – Hexatonics.pdf

Figuring out which triads lend particular colors to different chords adds detail to your playing. This hexatonic can be played over many different chords.

So, when the same hexatonic in one place is referred to as “G: In some cases additional naturals are given. By limiting note selection to six tones each triad consisting hexatonucs threea more hexatonicx sonority is created. The same can be said for C major and B major triads over the I chord:. Published on Jan View 1. IT Ffq r ra B-jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.

» Triad Pairs

Donate to Casa Valdez!! Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra Jerry Bergonzi vol 3 – Bergozni Line Education.

This book will focus on the ones that are practical for the improviser and composer. For example, when playing the over a A,7 chord, it sounds the major 7 as well as the ,7, which will work in certain circumstances. Nevertheless, it is a good way to practice in order to make it your own.


Beginning with half-step relationships, F major and E major triads can be useful over ii and V in the key of C, while also generating interest with non-diatonic tones. D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Triad pair are basically the same thing as hexatonic scales.

D triad over e triad. Jerry Bergonzi- Vol 2 – Pentatonics Documents. Shit, I sound like I’m trying for a job as his publicist, but is this your basic point, reworded with my usual verbosity? The motion defines the context.

D7l19 B ‘ D G7 Ct. Jerry Bergonzi Vol 7 – Hexatonics Documents.

G-7 7 Hexatonics in parenthesis create a higher degree of tension. G ‘ F-7 Bi: Triad Pairs for Jazz: Jeri Bergonzi edited and wrote the text.

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